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Jemima Stehli

Born 1961, lives and works in London
The shifting positions I take in relation to the camera, the production of the image and the way I incorporate other people in the work continues to be important.
In earlier photographs like those based on the Allen Jones sculptures, Table and Chair 1997/1998, and After Helmut Newtons Here They Come 1999, I occupy the position of the naked object in another artists work. In works like Wearing shoes chosen by the curator 1999, Strip 1999/2000 and Photo Performance 2005, I invited critics, writers and artists to make decisions in the making of the image.
More recently I have moved behind the camera with a series of videos and photographs where I record other artists and their work, in some cases participating in dialogue or directing the action, but always remaining behind the camera.

 

leggi la biografia ...

Jemima Stehli

Solo Exhibitions

2010
Jemima Stehli, ARTRA, Milan
2009
If Lucy Fell/Jemima Stehli, live video performance at Ze Dos Bois, Lisbon
She looked back, Raum Mit Licht, Vienna
She looked back, Galeria Miguel Nabinho, Lisbon
2008
To My left, Giorgio Sadotti, Elektra House, London
Lewis Amar, Jemima Stehli,  I- Cabin, London
2007
Photo Performance 23,27,30,31 Lisboa 20, Lisbon
2004
Put there, Galerie Bernd Kluser, Munich,
Jemima Stehli, Centro de Artes Visuais, Coimbra
Jemima Stehli / John Hilliard, Artra Milan
Jemima Stehli / John Hilliard, Artra Genova
2003
mm Studio, Contemporary Art Gallery, Vancouver
The Upsetting Table, Jeffrey Charles Gallery, London
Jemima Stehli, Lisson Gallery, London,
2001/2
Jemima Stehli, ARTRA, Milan
2000
Jemima Stehli, Chisenhale Gallery, London
Karen 2000, Artlab, Imperial College, London

Selected Group Exhibitions

2011
Peeping Tom, Kunsthal KadE, Amersfoort, Netherlands, February 19th – May 8th
Alice I Underlandet, Alice in Wonderland, The Finnish Museum of Photography, Helsinki, January 16th – December 18th
2010
Crash, Gagosian Gallery, Brittania Street, London
Film without film, curated by no.w.here and Maxa Zoller
for "No soul for Sale", Tate Modern, London
Human, Musée d'Art Moderne et d'Art Contemporain, Nice
Rendering, Istituto Nazionale della Grafica, Roma
Peeping Tom, curated by Keith Coventry, Vegas, London         
2009
Femme Fatale, Centro Cultural de Belem, Lisbon
2008
The Apartment, curated by Brian Dawn Chalkley and Lewis Amar, London
El Cuerpo (con)sentido, una (re)presentacion visual, Curated by Pedro Vicente Muller, Centro de Historia de
Zaragoza
2007
The Naked Portrait, The Scottish National Portrait Gallery, Edinburgh. Curated by Martin Hammer.
2006
Kunst und Photographie, Galerie Bernd Kluser, Munich
XX- Visoes no feminino, da colleccao dos Encontros deFotografia, Centro de Arte Visuais, Coimbra, Portugal
Filmperformance Modern Art Oxford, Oxford
2005
I Shot Norman Foster, The Architecture Foundation, Old Street, London
2006
Transmission Portfolio, Haus Um Lutzplatz, Fordererkreis Kulturzentrum Berlin e.V, 3 July–28 Aug
Black on White, Elga Wimmer PCC, New York
2004
Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago
ShowCASe Preview: Contemporary Art for the UK, South London Gallery, London                                  
Self Exposed, Stephen Daiter Gallery, Chicago
Examining my own Practice, Flavia Muller Madeiros, London
2003
Vis-à-vis, 39 Platform, London
‘Model’, Kent Institute of Art & Design, Zandra Rhodes Gallery, Kent
Body Politics, Elga Wimmer Gallery, New York
Chockerfuckingblocked, Jeffrey Charles Gallery, London
2002
Face off, Kettle’s Yard, Cambridge
Sidewinder, Cultural Institute for Modern Art, Calcutta. Touring to:
Habitat, Delhi and Prince of Wales Museum of Western India, Mombai, India
2001
Record Collection, VTO Gallery, London; The International 3, Manchester; Forde espace d’art contemporain,
Geneva
City Racing 1988-1998: a partial account, Institute of Contemporary Art, London
Promises, Contemporary Art Gallery, Vancouver. Curated by  Christina Ritchie
Gymnasion, Palais Thurm and Taxis, Bregenz. Curated by Peter Lewis
2000
A Shot in the Head, Lisson Gallery, London
Off Shore, Kunstforeningen, Bergen Curated by Per Huttner and Gavin Wade        
Cheated, A22 Projects, London
Konfrontace, Czech Centre, London
1999
Limit Less, Galerie Krinzinger, Vienna. Curated by Matthew Higgs
Getting the Corners, Or Gallery, Vancouver. Curated by Matthew Higgs
Wild Life, curated by Adi Rosumblum and Markus Muntean, The Austrian Cultural Institute                      
1998
The Road, L’Espace Cultural François Mitterand, Beauvais. Curated by Peter Lewis
It Took Ages, Bricks and Kicks, Vienna. Curated by Jemima Stehli and Janette Parris
Educating Barbie, Trans Hudson Gallery, New York
1997
Fish and Chips, Diverseworks Artspace, Houston, Texas
Peripheral Visionary, De Fabriek, Eindhoven. Curated by Colin Lowe and Roddy Thomson
Plastic, Walsall Museum and Art Gallery
Thoughts, City Racing, London
Superstore de Luxe,  UP & Co, New York
1996
The Happy Shopper, Elephant and Castle Shopping Centre, London
Lost for Words, Coins Coffee Store, London
Plastic, Richard Salmon Gallery, London; Arnolfini Gallery, Bristol
1995
Gavin Brown, Jemima Stehli, Amikan Toren, Cubitt Gallery, London
1995
UK Wit & Excess, Contemporary Art Centre, Adelaide; Australian Centre for Contemporary
Art, Melbourne; Institute of Modern Art, Brisbane; Ivan Dougherty Gallery, Sydney
It’s a Pleasure!, The Royal Festival Hall, London
1994
The Curator’s Egg, Anthony Reynolds Gallery, London
1993
Seasons Greetings, The British Council, Window Gallery, Prague
Western Exposure, The Riverside gallery, London

DOCUMENTARY, TV and Radio
2009
Diggers’ Sharon Gal interview with Jemima Stehli and Makoto Yagyu and Shela from the band If Lucy Fell on
their collaborative  projects, broadcast 23rd June Radio Resonance 104.4 Fm
2008
Venus Rising’ interview with Sharon Gal, broadcast Oct 8th, Resonance 104.4 Fm,
http://audio.resonancefm.com/venusrising/
2005
"Self Portrait: The Me Generation’, third episode ‘Shattered’ of the television series written and directed
by Matthew Collings for Channel 4
2003
‘Baggage  Reclaim’, interview with Rob Flint Resonance 104.4 fm, 9 Sept
2001
‘Nightwaves’, Radio 4, London
2000
‘Bare naked ladies’, film directed by Susan Shaw for the South Bank Show on Marlene Dumas and Jemima Stehli,
broad. 10 Dec

AWARDS
2009
Iaspis residency in Gothenburg Sweden, April-August
1998–2000
Artist in Residence, Delfina Studios, London
1997
Individual Artists, London Arts Board

BIBLIOGRAPHY
Selected Reviews and Articles
2010
Ginevra Bria, Jemima Stehli, Milano Artra, Exibitart.Com http://www.exibart.com/notizia.asp/IDNotizia/31751/IDCategoria/1
2009
Nuno Alexandre Ferreira, ‘If Jemima Fell’, L+arte, issue 67, January
Delfim Sardo, ‘O Corpo no Espaco, Jemima Stehli em Dialogo com Helena Almeida’, Revista Unica, Espresso, 21st February
2009    
Delfim Sardo,
2007/8
Paul Carey-Kent, Jemima Stehli, Art World, Issue 2. December 2007/January 2008
2006    
Emily Butler, ‘Jemima Stehli, Studio double’, The Female Photographer issue, Next Level, Fall (il)
2005    
Elisa del Prete, ‘Jemima Stehli, Anomale Potenzialita scultore di un corpo’, Titolo, pp.4–9 (il)
James Westcott ‘Push Me Pull You’, NY ArtsMagazine, July/August, vol 10, no 7/8 p.29 (il)
2004
Alan G. Artner, ‘Focusing on the camera in performance art’, Chicago Tribune, 4 Nov
Sheyi Anthony Bankale, ‘The Upsetting Table’, Art/Photography issues, Next Level, no.5, ed.1, vol.3, pp.70–73
(il)
Pablo Lafuente, ‘Stehli Vision’, Erotic Review, issue 62, May, pp.48– 51 (il)              
Kathy Battista, ‘Jemima Stehli at Coimbra Portugal CAV’, Contemporary, issue 61
2003
John Hilliard, ‘The Picture Within’, Next Level, Fall (il)     
Derrick Santini ‘Jemima Stehli’, ArtReview, July/August, p.47 (il)
Barry Schwabsky ‘The very idea of the nude’, Bookforum, Summ
Louisa Buck, ‘Jemima Stehli’, The Art Newspaper, April, no.135, p. 14 (il)
2002
Michelle Robecchi, ‘Jemima Stehli’, Flash Art, Italy Feb/Mar, p.131 (il)
Daniele  Perra, ‘Jemima Stehli’, Tema Celeste, Jan (il)
Esha Battacharjee, ‘Power Play’, The Sunday Statesman, Accent, Calcutta, 13 Jan, p.3 (il)
2001
Stella Santacatterina, ‘Jemima Stehli: Subject and Object of the Gaze’, Portfolio, issue 33, pp.24–29 (il)
Nick Dent, ‘Strip: Flirting with the enemy’, Black & White, issue 53, pp.56–59 (il)
Barry Schwabsky, ‘Jemima Stehli Chisenhale Gallery’, Artforum, Feb, p.164 (il)
Mark Harris, ‘Jemima Stehli at Chisenhale’, Art in America, April, p.150 (il)
David Brittain, ‘Jemima Stehli’, Vogue Hommes International, Fall/Winter, pp.144–46 (il)
Alison Jones, ‘Jemima Stehli’, Everything Magazine, issue 3.4, pp.32–37 (il)
Sarah Kent, ‘YBA Women’, Thames and Hudson World of Art, issue 45, pp.22–23 (il)
2000
Alison Jones, ‘Jemima Stehli’s Ingratiating Objection’, Make, Dec, pp.28–30,    
Richard Cork, ‘A dose of electric shock treatment’, The Times, 26 July

Opere

Strip, c-type print, 1999
Strip no. 7 Writer (5/11) c-type print, 32x27cm, 1999
Strip n. 5 Dealer, c-type print, 32x27cm, 1999
Strip n. 3 Critic, c-type print, 32x27cm, 1999
Self portrait with Karen, b/w photograph, 200x230, 2000